A Slice in Time
and the daylight of memories about to flood back in.
I love this spot to paint it, high up looking across an endless scene.
It's peaceful but can be quite wild with the wrong weather.
Contact us About this artwork
For more information or to arrange a private viewing, please contact us at info@jgcontemporary.art.
Shipping
This artwork ships from the UK. Shipping costs will be calculated automatically at checkout based on your shipping address. Please note that international shipping may incur additional costs.
International orders may be subject to import duties and fees upon delivery, depending on your shipping destination. These charges are not covered by our shipping fee and are the buyer's responsibility.
We offer the option to pay over 10 months with Own Art, allowing you to enjoy the artwork while making manageable monthly payments.
You may also choose to collect your artwork in person from the gallery. If the artwork is being shipped internationally from the UK, please be aware that you may be liable to pay import/duty charges, which are not included in our shipping fee.
Returns and Refund
If you're not entirely satisfied with your artwork, you can return it to us within 14 days for a replacement or a full refund, provided it is returned in the condition it was dispatched.
If you have any questions about a purchased work, please don't hesitate to contact us, and we will assist you in the best way possible.
For more information on returns and reimbursements, please read our Terms and Conditions.
Pickup available at JG Contemporary
Usually ready in 2-4 days
A Slice in Time
JG Contemporary
45 Churchfield Road
London W3 6AY
United Kingdom
%0A%0A%20Signed%20in%20verso%0A%0AThe%20weather%20that%20day%20felt%20like%20a...){kind=link}
Choose options
David Bray
About David Bray
David’s father used to work at the Royal Academy of Arts. Every now and again he and his brother would get access to the galleries before they opened to the public. These were in the days before CCTV, and the security guards weren’t on duty. They were free to absorb all this art – which they did. Touching the odd Picasso. Licking the odd Warhol. He recommends you do not touch national treasures too much as it can get you in a lot of trouble. Unless you are sure you can get away with it. From this point, David knew he wanted to be an artist. David has been working as an illustrator since his graduation from Central St. Martins, London in 1992 with a degree in Graphic Design. Commercial clients include such brands as Agent Provocateur, Puma, Absolut, MTV, BBC Television, Harvey Nichols, Canon and Vodafone to name but a few. His collaboration with photographer Tim Bret Day for the Harvey Nichols campaign, HN on Earth is in the permanent poster collection at the Louvre, Paris. He has been exhibiting as an artist since 2006, with solo shows in London, Portland and Los Angeles and in group shows in Hong Kong, Tokyo, Asbury Park and beyond.