Changsegi, 2021
Giclee Print On 300 Gsm Somerset Paper
Screen Print Varnished & embossed
double stamped from Graffiti Prints & FinDac
24 x 24 cm
Open Edition

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Born in Cork, Ireland, but actively plying his trade worldwide, Fin DAC is a self-taught, non-conformist urban artist who has defined and perfected an atypical spray paint style he has dubbed ‘Urban Aesthetics’. This style has afforded him a sensationally successful career in just over a decade, with all of his works, print releases and originals now highly sought after. Safe to say, he is an artist with a now world-wide following of loyal collectors. Through his work, Fin explores themes related to female emancipation and empowerment, readjusting the male gaze and disrupting colonialist attitudes particularly surrounding the Eastern experience.

Fin is known for his depictions of Eurasian women and is inspired by traditional and ceremonial dressing, in which these subjects engage. His interest, however, is not superficial or thoughtless. In his illustration of these women, Fin DAC reframes racial and sexual stereotypes that surround them, crafting a narrative that celebrates their sensuality with cultural sensitivity, rather than appropriation.
When he works in an outdoor context, the women Fin DAC paints are often large and commanding, claiming ownership over their urban environment, but also equally feminine, with classically delicate features. Through this duality, Fin asserts that women are both powerful and vulnerable, aesthetic and intellectual, physically capable and with deep emotional reserves.
Although his murals are present in countries and continents all over the globe, Fin remains very much an outsider artist of the street art scene, preferring instead to plough his own, individual path with personal projects.




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